The macrocosm and the microcosm are the same. One is a copy of the other. The tree will have a seed, the hen will have an egg. It contains the tree in the seed and the hen in the egg. What exists on a subtle level also appears on a material level. What can be called the Creator also exists in its manifestation. That is, the Creator is what He created, self-sowing.
The big bang is a creation. This creation is the same as the Creator. What else would it be?
The space has been created and expands over time. Fire is an explosion that creates light and sound. The other elements - air, water and earth - are carried within the phenomenon, suggesting that the Creator must have come from these elements as well. According to Vedic science, the Creator is the unitary state of these elements in which there is no event, only one state. Events do occur and are present in such creations. Like sparkling water in which bubbles form in still water. These bubbles become our universe. It expands in the great "water" where all the ingredients are in the water. Just as the raw material of creation is in the Creator. The great consciousness has created a tiny copy of itself - a hologram - in a small consciousness so that it can unfold and experience.

The first state of creation is “Satva”, which is “pure” and, so to speak, is “divine”. It moves because of the inner fire - time, the dynamic of which leads to the “rajasa”, the intermediate state. It rotates, radiates and spreads through its inexorability, which leads to the state of "Taamasa". No more status. He stands, moves and turns. Once it has reached the peak of evolution, it turns around, slows down, and stops. It pulses how our heart beats or how we breathe. That is why the heart and breathing work automatically by themselves and that is why the room behaves like that.
Our whole body is made up of space, i.e. 100%. Together there are many possible manifestations of these many particles of space that can serve the human body so intelligently. This intelligence is the same for every object or living being, because they have developed from it to what man is. What distinguishes it is CONSCIOUSNESS. Consciousness changes with experience. Just as Vastu transforms into Vaastu through experience, the manifestation also becomes a manifestation that can continue to experience and progress in its development. So when you say that something or someone is evolving is not really a correct statement as everything was created by the Creator himself, so there is obviously no goal to evolve towards. What happens to everyone and everything is a process of experience in endless possibilities.

The process of this space from the center results in a structure that leads to perfect symmetry. This structure is the backbone of our universe on which everything is built, from which everything is created. The matrix.
There can only be one suitable component of a matrix: the square. The square can expand in all directions, so to speak, without creating a gap or asymmetry in the structure, while it is itself completely symmetrical, allowing it to transmit the threads of creation - sutras - in all directions.
The space is expanded by these lines and connected to the next space. In particular, these sutras form the next tiny space in rhythm (in the form of a swastika). They are all square and have the same awareness for the time being. They hang together in the same form and build our universe in constant expansion ...
The fact that a creation happens at all is based on an 'idea' that represents the beginning of all deeds and can actually be connected with one element: fire. If there is no fire, nothing never happens and the Creator does not create anything. Therefore, a big bang is the moment that can be called creation. He had an idea. :-)
The Creator wanted to experience himself and has done it quirkily and endlessly ever since.
We humans and earth beings do not necessarily need a diverse, bizarre experience of nature.

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And here comes the picture of a building or a temple.
It is an ancient instinct of every living being to have a home that will protect them from the whims of the elements.
As a living being like man, when he realizes that he is also the Creator, when his consciousness expands and becomes one with the universe, he knows what elements to defend against.
The knowledge of space gives people, together with the other 7 elements, the strength to protect themselves from their moods and to live happily on earth.
During the creation process, fire is produced after air, while water on earth (Planet) is created after air, which shows that its order is unique and that it is also based on the fact that it can be inhabited by humans.
The earth is a mother of man. Gives and loves.

A built space can provide the best protection if necessary, so this space must be a perfect replica of the universe and the Creator. A temple is therefore the same as a house - an enclosed space.
It is not a question of what Vaastu is, because all this space is Vaastu, but what universe it represents, with what qualities. Man has needs on this planet that he will receive when he is in harmony with the Creator, the universe, nature, the earth.

A temple is empty, a house is not. The temple represents the space most clearly; a building does this more on a material level. The temple embodies the unmanifested when that energy is still "virgin," i.e. has the greatest influence on any further manifestation. At this level, you specifically decide which type of tree to make from the seed or what to expect from the egg.
In the house because of the walls and furniture, and people who sleep and cook, the space is not as strong, but it can have the same characteristics as the temple. Of the two empty rooms, it is the temple, whose mathematics lead to it. In temple architecture, all mathematical formulas must be followed, while in a residential building, most aspects are left to chance - capricious - only those that are important are counted. You are left to fate.
The temple creates strong, stable vibrations like a quality instrument. Both the temple and the accordion must be tuned to produce the correct music. What they both have in common is that the music outside the building or the instrument is stronger. The vibration in front of the entrance to the temple is even stronger than inside. This of course applies to all buildings. The kind of music - vibration - that a space creates gives something special to its surroundings. If the music in the house is good, many people still sit in front of the house and have a good time.
Therefore, there is generally a lot of space in front of the temple. The orientation of our churches is evident in our western world. This is certainly not a coincidence, as the internally generated energy of the space flows most easily to the south. That is, the many negative, painful energies that believers bring into the churches can leave the south quickest and the space becomes clean again. The entrance door to a residential building is therefore strictly forbidden in the south in the middle of the house, while it has its place in the church there. These laws can be observed in the construction of temples and churches in any religion.

The church, the temple is the home of God - let's say Westerners in this modern world. Indeed, they are the embodiment of God.
If God's original, ancient state is pleasant, then that state must be embodied in a temple, or church, that is its mission.
The space of the temple thus vibrates on a wave with the Creator and his enjoyable aspects in every respect, which are decisive and indispensable for perfect happiness on this earth - both two-legged and four-legged.
The pyramids had the same task: to create and maintain harmony across the planet through vibrations.
Many pyramid temples have been studied around the world, and at some level, despite their spacing, they were built in exactly one line. A net can often be seen through the location of temples and pyramids, which have also been tuned to work together to protect large areas. Using a very similar spectacle to being in a computer is the way the processors are laid out in parallel. Order is the father of success.
The Meißner effect, or for example thermodynamics, explains a lot about the importance of these phenomena in today's science.

In some Vedic temples, the elements inside can behave differently than in a residential house. For example, water can be found in the temple - Garbagraha - in the southwest and even in the middle, which is not recommended in a residential building - rather forbidden.
There can be one object in the center of the temple: the lingam.
The lingam represents the embodiment of space. Its shape, material and dimensions determine which properties it should be equipped with. The lingam must be in perfect union with the temple, which symbolizes the fetus and supports the growth of the vibration that the temple represents. Every space creates additional space. The lingam in miniature while the temple mostly creates extra space, or you can say atmosphere. Like music going through its sound creates sound forms that influence, modify and create other things in other spaces.
In the case of the deities, the exact procedure is the same, but they don't get into the middle of the space, they get more behind it. While a lingam supports the temple's own vibration, the temple supports each other with a deity, but primarily the temple supports the deity. Space is attuned to the Creator, the universe, nature on earth and the given deity. In this case, they are even tailored to the person or persons who can establish such a temple.

Both lingam and deity must be very precise in their proportions and dimensions in order to adapt perfectly to a particular rhythm.
The church, or the temple, do not represent emotions mathematically, so it is possible to experience “emptiness” there instead of getting lost in the illusions that emotions create. Meditation is about: experiencing pure awareness without illusions.
A temple is therefore also seen as the embodiment of meditation.
The emotional element is already mathematically contained in the house so that everyone can live their own world there, but does not detach itself from reality due to the protection provided by the space. The house is always a temple somewhere, which means that the house is also the incarnation of God, i.e. of the Creator.
The construction of the temple must be very strict and precise, nothing can be accidental, everything must be precisely planned and the plans must be strictly followed. Just like an instrument. It has to be perfect in all of its cartilage so that you can play the music you want. This is not that much of a challenge in an empty box-like room, but when we expand and decorate that space, it is already a very careful task. Expansion and decoration must always respect the basic space and present its properties and dimensions in rhythm. The extension and decoration is created to reinforce the fundamental vibration. When you look at a temple, you can almost hear the music it depicts.
A space can harmonize or spoil its surroundings, it always depends on how and how strongly it vibrates.
With that in mind, this science was created.

The original temple is a cube that symbolizes the head of man - this is where control comes from. Further extensions in this regard correspond to the human body. The human body, in studying proportions and rhythms, conforms to the principles of vastu and vaastu.
The decorations come from the vibrations that the temple creates and that its waves embody, as expressed in the hairstyle or dress that characterize someone.
These temple-humans are still being built, and all structures of the body must represent the same temple vibration so that the music of the instrument, despite its growth, does not change or become wrong in any way. This is how temple complexes are made, and their essence is ultimately a great instrument.
No illness or bad luck is known in or around such temples. They are usually placed in sacred places and are definitely sacred, which in many cases also leads to spontaneous healings. In most cases there are only minor traces of war, these buildings protect themselves and their environment.
Space is therefore the incarnation of God because it protects and supports both spiritually and materially. It is beneficial and recommended for plants, humans and animals.
The perfect dimensions and rhythms for the temples are very rare, difficult to find - they don't grow on every tree. In a house there are more opportunities for luck to happen to catch good things, but really good things are also very rare, there are too many variations and every person has different vibrations. By relying on this science, all negative aspects of life in authentic temples can be eliminated.
A temple is therefore a practically automatic, fine-grained room therapy at a high level that can work for up to 1000+ years.